TREVORJONESART

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  • Home
  • The Artist
    • About
    • Artist Statement
    • Curriculum Vitae
    • In the Media >
      • 2019
      • 2018
      • 2015 - 2017
      • 2009 - 2014
    • Innovation >
      • NFC Tags
      • RSA Open 2014
      • Brian Cox Portrait
    • Academic Essays >
      • Virtual Enlightenment
      • Art and Innovation
      • Gathering
      • Protest in 140 Characters or Less
    • Dissertation
  • The Gallery
    • CastleParty2022
    • Paintings >
      • 2021 -- SteampunkTesla
      • 2020 -- Crypto Cubism >
        • Paintings-Cubism
      • 2019 -- CoinDesk
      • 2018 -- Crypto Disruption >
        • Introduction CryptoDisruption
        • Opening Night
        • Paintings-Disruption
        • Ltd Edition Prints
        • Crypto Royalty @ SNPG
        • In The Media
      • 2017 -- The Famous
      • 2016 -- Politics >
        • Opening Night
        • paintings-politics
      • 2015 -- #Hacked
      • 2013/14 -- AR Begins
      • 2012 -- QR Codes
      • 2010/11 -- Synaesthesia
    • Drawings
    • NFTs >
      • 2020 NFTs >
        • 1 - 5 NFTs
        • 6 - 7 Bull & Bear
        • 8 - All That Remains
        • 9 - Chrysalis
        • 10 - The Architect
        • 11 - Bitcoin Bull >
          • Essay - Bitcoin Bull
        • 12 - Jose Delbo
        • 13 - World Leaders
        • 14 - EthBoy
        • 15 - PAK
      • 2021 NFTs >
        • TJones Retrospective >
          • Introduction - Retrospective
          • Paintings & 1/1s >
            • Abstract Art
          • The Palette
          • Bitcoin Angel Open Edition
          • The Angel Essay
          • Dundas St Gallery
          • Somnium Space Event
        • Angel's Share >
          • Essay Angel's Share
          • Angel's Share Press Release
          • The Angel's Share
          • The Bitcoin Angel's Share
          • Essay - Bitcoin Angel's Share
        • Cube Collab >
          • ManVsMachine
          • Superhero
          • Your Home Boys Hate You
          • Feel The Bite
          • Speak Up
          • Cube Open Edition
          • AI experiments etc
        • #SteampunkTesla >
          • Video Series
    • Print Care & Framing
    • Art Giveaways
  • Contact
  • Blog
Picture
THE COMMISSION

When CoinDesk approached me to paint the portraits for their very popular 'Most Influential' series I was keen to get on board as the twelve individuals shortlisted are some exceptional people involved in the blockchain industry with their influence bridging government and policy making, big business, innovative tech companies, space cats and more.

View the AR features for each painting and read the CoinDesk interviews


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Andrew Yang
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Caitlin Long
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David Marcus
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Gerald Cotten
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Hodlonaut
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Jack Dorsey
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Justin Sun
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Muneeb Ali
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Meltem Demirors
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Rune Christensen
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Sergey Nazarov
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Ted Livingston
THE WORK
 

Each portrait is 73 x 60 cm (29 x 24 inches) and painted in oil and microcrystalline wax on a printed bank note from the country of the subject’s nationality. The print has been produced on high quality, Hahnemühle German etching paper.

​Printing currency turned out to be a real challenge in itself as, funnily enough, governments aren’t too keen on people creating high resolution scans of bank notes and then manipulating them in Photoshop, which is what I needed to do to develop the composition before printing the note. Each currency presented its own problems including the scanner not being able to scan the bank note or Photoshop rejecting the scanned image; therefore, my printmaker and I needed to find solutions for each one before the print could be produced. 
 
Picture
Creative process video

ARTISTIC INNOVATION
 
I’ve incorporated augmented reality so viewers can scan the paintings with my app CreativMuse to engage a short video clip and listen to a few sound bites from each individual. I've added two AR 'buttons' linking to my website and twitter feed so viewers can connect with me directly when scanning any of the paintings. Morphing software was used to create a smooth transformation from portrait into video.

I’ve embedded two NFC tags into each work. One tag is a link to the subject’s twitter feed so the viewer can hover their smartphone nearby to quickly access the twitter updates or simply to say "hi" and the second tag triggers a short video of me speaking about that particular painting, my thoughts on it and some of the processes involved in its creation. 
© 2021 trevorjonesart. All rights reserved. Trevor Jones, The Drill Hall, 32 - 36 Dalmeny Street, Edinburgh, EH6 8RG
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