Download the free augmented reality app Artivive to scan my paintings and prints
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taking care of your print artwork
Handling your Print:
Ideally, take your artwork to a professional framer first and have them remove it from the tube to discuss framing options with you. If you can’t wait before you visit the framer be very careful. Removing without care can cause damage when trying to uncurl the print by causing crimps, dents or tears in the paper. Very gently pull the print from the tube onto a large clean surface and use both hands to avoid creasing. Once a print is creased it is very difficult to fix this imperfection. If you pull the print out of the tube and need to let it rest on the table, put down a clean piece of paper or ensure a very clean surface to protect the print from stains and smudges.
Framing:
Find a professional framer near you to discuss framing options. Framing companies can vary hugely in price so it’s a good idea to get a quote from 2 or 3 framers. Note: I'm not sure why but framing in USA and Canada seems to be much more costly than here in Britain so I really do suggest contacting a few local framers for quotes and let them know what your budget is.
If possible, use Non Reflective glass or plexiglas when framing the work. It is a lot more expensive but the ‘viewer experience’ is unbeatable as there will be very little (annoying) light reflection and glare. There are different types of Non Reflective glass and they range in quality of UV protection. The museum quality glass has 99% UV protection and is of the absolute highest quality and although recommended it is also very expensive.
When hanging your artwork avoid:
Ideally, take your artwork to a professional framer first and have them remove it from the tube to discuss framing options with you. If you can’t wait before you visit the framer be very careful. Removing without care can cause damage when trying to uncurl the print by causing crimps, dents or tears in the paper. Very gently pull the print from the tube onto a large clean surface and use both hands to avoid creasing. Once a print is creased it is very difficult to fix this imperfection. If you pull the print out of the tube and need to let it rest on the table, put down a clean piece of paper or ensure a very clean surface to protect the print from stains and smudges.
Framing:
Find a professional framer near you to discuss framing options. Framing companies can vary hugely in price so it’s a good idea to get a quote from 2 or 3 framers. Note: I'm not sure why but framing in USA and Canada seems to be much more costly than here in Britain so I really do suggest contacting a few local framers for quotes and let them know what your budget is.
If possible, use Non Reflective glass or plexiglas when framing the work. It is a lot more expensive but the ‘viewer experience’ is unbeatable as there will be very little (annoying) light reflection and glare. There are different types of Non Reflective glass and they range in quality of UV protection. The museum quality glass has 99% UV protection and is of the absolute highest quality and although recommended it is also very expensive.
When hanging your artwork avoid:
- Ultraviolet light is one of the biggest reasons that art fades. Exposing your prints to direct sunlight and even strong artificial light from bulbs without the UV protection glass can cause colour fading. Light damage is cumulative and irreversible and can even damage the structure of the paper itself.
- Extreme temperature fluctuations can cause expansion and contraction of the paper fibers and make the print surface uneven. Temperature increases can also increase the rate of deterioration, leading to brittleness and darkening of the paper. Do not display an artwork directly over a heater.
- High humidity can cause mildew, molding and foxing (brown spots), as well as attract pests.
PRINT information
Printed on: Hahnemuhle German Etching fine art paper is a heavyweight etching board and is velvety smooth with a fine surface texture. German Etching is one of the most popular media worldwide for artwork and photography.
A 310gsm mould made watercolour paper, with the smoothest surface in the Art Line range making it ideal for prints which are highly detailed or for photographic imagery. As the name suggests, the surface is similar to original etching paper and will also produce traditional prints excellently.
Protected with: Hahnemühle Protective Spray protects digital Fine Art prints from external influences. The aerosol spray lays like a fine film on the paper, without changing the paper structure. It fixes colours of pigment-and dye ink and prevents an eventual colour fading also the intensity and the high brilliance of the colours stay permanently. The coating increases the abrasion resistance of Fine Art papers, so the risk of fingerprint marks and scratches are reduced.
A 310gsm mould made watercolour paper, with the smoothest surface in the Art Line range making it ideal for prints which are highly detailed or for photographic imagery. As the name suggests, the surface is similar to original etching paper and will also produce traditional prints excellently.
Protected with: Hahnemühle Protective Spray protects digital Fine Art prints from external influences. The aerosol spray lays like a fine film on the paper, without changing the paper structure. It fixes colours of pigment-and dye ink and prevents an eventual colour fading also the intensity and the high brilliance of the colours stay permanently. The coating increases the abrasion resistance of Fine Art papers, so the risk of fingerprint marks and scratches are reduced.
framing examples
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